Andar, Indra Sastra and Wilma Sriwulan, 0008096408 and Yon Hendri, 0025026404 (2021) LAREH NAN BUNTA: POWER SYSTEMS AND THE CONCEPT OF MUSICAL AESTHETICS IN TALEMPONG BASAUA IN LUHAK 50 KOTO MINANGKABAU. Harmonia: Journal of Arts Research and Education, 21 (1). pp. 107-116. ISSN 2541-2426
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Text (Lareh Nan Bunta: Power Systems and The Concept of Musical Aesthetics in Talempong Basaua in Luhak 50 Koto Minangkabau)
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Abstract
The goal of this article is to bring to light lareh nan bunta as a form of representation of the sys�tem of democracy – or power – developed by Dt. Nan Sakelap Dunia. The discussion in this paper uses a qualitative method which is backed up by quantitative data. The data was collected through participant observation, interviewing, discussion, and analysis. The analysis was car�ried out using a descriptive method using theoretical reasoning, with knowledge of aesthetics and art. The results of the research show that conceptually, talempong basaua is a musical reality which represents lareh nan bunta in Luhak 50 Koto Minangkabau. Lareh nan bunta is a synthesis of the influence of power – or dialectic – between lareh kotopiliang (autocracy) and lareh bodicaniago (democracy), each with its own system of leadership. The dualism in the autocratic and demo�cratic systems of power form a balancing power known as lareh nan bunta – a combination of all three existing conceptions. Lareh nan bunta is also reflected in the concept of musical aesthetics in talempong basaua in Luhak 50 Koto Minangkabau. Talempong basaua represents a combination of two musical concepts, namely talempong and the rhythms or irama of dendang (vocal music), which are combined to create a new genre.
Item Type: | Article |
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Uncontrolled Keywords: | Lareh nan bunta; Power; Aesthetics; Talempong basaua; 50 Koto; Minangkabau |
Subjects: | Online Journal |
Depositing User: | Ilham Sugesti |
Date Deposited: | 06 Sep 2021 02:50 |
Last Modified: | 09 Feb 2022 12:28 |
URI: | http://repository.isi-padangpanjang.ac.id/id/eprint/1235 |
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