The Concept Of Pangawinan In The Music Performance Of Talempong Renjeang Anam Alabuhanin Luhak Nan Tigo Minangkabau

Andar, Indra Sastra and Ediwar, Ediwar and Od.M. Anwar, Anwar and Mohd Nazir Ibrahim, Nazir (2017) The Concept Of Pangawinan In The Music Performance Of Talempong Renjeang Anam Alabuhanin Luhak Nan Tigo Minangkabau. Journal of Nusantara Studies (JONUS), 2 (2). pp. 333-347. ISSN 0127-9386

[img]
Preview
Text (THE CONCEPT OF PANGAWINAN IN THE MUSIC PERFORMANCE OF TALEMPONG RENJEANG ANAM SALABUHANIN LUHAK NAN TIGO MINANGKABAU)
198-Article Text-739-1-10-20180706.pdf - Published Version

Download (1MB) | Preview
Official URL: https://journal.unisza.edu.my/jonus/index.php/jonu...
["lib/irstats2:embedded:summary_page:eprint:downloads" not defined]

Abstract

This article discusses the concept of Pangawinan in the performance of talempong Renjeang Anam Salabuhan in Luhak Nan Tigo Minangkabau. As a concept, there are two different understandings of pangawinan, namely: (1) pangawinan with a small ‘p’, which is the philosophical basis for the formation of a pair of talempong as a musical system – implemented through the methods lipek duo and dipatukakan (doubling and interchanging); (2) Pangawinan with a capital ‘P’, which is used to refer to a pair of talempong, Pangawinan – Paningkah duo. As a musical system, talempong renjeang consists of three pairs of talempong instruments, known as the talempong Jantan, talempong Paningkah or Paningkah Satu, and talempong Pangawinan or Paningkah Duo. This research employed a theoretical concept based on the philosophy tali tigo sapilin, tungku nan tigo sajarangan – a three-way pattern; a trilogy of reasoning in the Minangkabau community. The formation of the three-way pattern begins with a two-way or bipolar pattern, and the third position emerges as a ounterbalance to create harmony. The main data were collected through observations, interviews, and documentations. The findings show that the concept of pangawinan in the performance of talempong renjeang anam salabuhan functions to provide a certainty in the creation of the talempong melody (guguah) in order to achieve raso batalun (aesthetical pleasure).

Item Type: Article
Uncontrolled Keywords: Indonesia, Luhak Nan Tigo, Minangkabau, pangawinan, talempong renjeang anam salabuhan
Subjects: Online Journal
Depositing User: Ilham Sugesti
Date Deposited: 06 Sep 2021 01:22
Last Modified: 17 Feb 2022 03:11
URI: http://repository.isi-padangpanjang.ac.id/id/eprint/1230

Actions (login required)

View Item View Item